This afternoon after coming home and making lunch (gnocci with ranch dressing sauce, spinach and tomato salad, empanadillas filled with caramelized onion and apples, bacon, and figs. Yes please...) and sitting down to watch the news and the Simpsons, as usual, I noticed the remote control is broken. Due to the digital switch that happened last year, the remote is the only way we can change the channel. Therefore, we are stuck on Antena 3 until I either brave the cold to get batteries at the chino or, if the remote is broken, get a new one. For the moment, I've decided to capitalize on this event and make a blog entry, thus avoiding solving the problem and maintaining warm on the couch for the time being.
Currently, what is on offer on Antena 3 is Bandolera, a period piece about an English girl that arrives to Andalucía in the 19th century who quickly becomes enrolled with a handsome Spanish army officer who fights against the ominous sounding La Mano Negra and all of the lawlessness and stuff. Of course.
Now Spanish TV does not do period dramas well. In fact, they're horrific. The whole thing is like high school play that was recorded nicely and with nobody forgetting their lines. It's as painful for the audience as a 10th grade "Sound of Music." The setting has the look of cardboard painted to look "rustic" with bricks showing and barrels of alcohols and olde-tymey advertisements for things.
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Amar en Tiempos Revueltos |
Amar en Tiempos Revueltos, set in Madrid after the Spanish Civil War, has been stinking up the TV for years. The costuming is sub-par at best. The standard pseudo-40's look of updoes, cardigans, and suits leaves one longing for Mad Men. (Not that I've seen more than one episode of Mad Men, but everyone talks about it and the fashion and the costumes and everything. It's like Regina George from Mean Girls, everyone just
knows stuff about it.)
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Hispania: LA LEYENDA!!! |
Another costumed atrocity is Hispania: La Leyenda. Set in Roman times, this one is about a tranquil Spanish village that gets invaded by Romans and who must fight back against those mean Italians who take their land and women and invade their lifestyle, a battle still continuing on the streets of Málaga today between the Spanish kids and the Italian boys here on Erasmus. Since it's set in Roman times, costumes are super easy. The process must have gone something like this:
1. Buy a set of dark colored bedsheets from Carrefour.
2. Cut up into togas.
3. Buy leather belts from Bershka.
4. Get some leather sandals from your hippie friend.
5. Go crazy with the gold studs and jerry curls and voilá! Ancient Rome!
Another key component of costuming in any period piece is, of course, excessive cleavage. Attracting the attention of a male audience to a show about some English chick who falls in love with a soldier in a faraway land or two people in post-war Madrid who have a child together is difficult. The easy way to keep everyone tuned in is to drop the necklines of all the female costumes.
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Actress Marta Hazas as Englishwoman Sara Reeves,
looking like a pirate wench while writing in her diary. |
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In Hispania, it's the slutty Roman slave outfits that keep the menfolk tuned in. With reason, because the one actress in that show is stunning.
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Standard Roman slave clothing, of course. |
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So instead of tuning in to what is essentially a long play at the community arts center put on television, tune into something worthwhile on TV. Like....ummmm....well there's....
Nope. There's nothing.
On that note, I'm going right over to antena3.es to catch up on the last few episodes of Hispania that I have missed. Thanks for the reminder, Conrad. You've helped me turn a dull evening of post-dinner web surfing into a much needed Spanish listening comprehension exercise. And, there are the Roman slave girls.
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